
Violin: S/T 7"
Londonâs singular maelstrom, Violin, has arrived at ILRHQ with four deadly soundblasts to loosen the grip on your perceived reality. Violinâs sole proprietor, Lindsay Corstophine, exposes and decimates a âcruel fantastic worldâ of willful ignorance, seething metropolitan dread, paranoid visions and fatal submissions. All this at mostly one two violence tempo in the perfect amount of hardcore time, spanning less than 6 minutes total.
Our take: Iron Lung Records brings us the second record from this London hardcore projectâtheir first was on La Vida Es Un Musâand the label is a fitting home for Violinâs slightly left-of-center hardcore. Honestly, though, this record dials back the quirkier elements we heard on Violinâs previous record, leaning more toward straightforward hardcore. Violinâs particular take is burly and propulsive, reminding me of early 80s Boston bands like Negative FX and SS Decontrol. I love the term âviolence tempoâ that Iron Lung uses in their description, and itâs apt for the relentless propulsion on display here. We get a taste of the weird stuff, though, with some heavily effected guitar emphasizing the quirky lead riff in âSubservientâ as well as a chaotic section where noisy synth squalls swoop into the mix. If thereâs such a thing as thinking personâs dumb hardcore, this is it.
Londonâs singular maelstrom, Violin, has arrived at ILRHQ with four deadly soundblasts to loosen the grip on your perceived reality. Violinâs sole proprietor, Lindsay Corstophine, exposes and decimates a âcruel fantastic worldâ of willful ignorance, seething metropolitan dread, paranoid visions and fatal submissions. All this at mostly one two violence tempo in the perfect amount of hardcore time, spanning less than 6 minutes total.
Our take: Iron Lung Records brings us the second record from this London hardcore projectâtheir first was on La Vida Es Un Musâand the label is a fitting home for Violinâs slightly left-of-center hardcore. Honestly, though, this record dials back the quirkier elements we heard on Violinâs previous record, leaning more toward straightforward hardcore. Violinâs particular take is burly and propulsive, reminding me of early 80s Boston bands like Negative FX and SS Decontrol. I love the term âviolence tempoâ that Iron Lung uses in their description, and itâs apt for the relentless propulsion on display here. We get a taste of the weird stuff, though, with some heavily effected guitar emphasizing the quirky lead riff in âSubservientâ as well as a chaotic section where noisy synth squalls swoop into the mix. If thereâs such a thing as thinking personâs dumb hardcore, this is it.
Original: $900.00
-70%$900.00
$270.00Description
Londonâs singular maelstrom, Violin, has arrived at ILRHQ with four deadly soundblasts to loosen the grip on your perceived reality. Violinâs sole proprietor, Lindsay Corstophine, exposes and decimates a âcruel fantastic worldâ of willful ignorance, seething metropolitan dread, paranoid visions and fatal submissions. All this at mostly one two violence tempo in the perfect amount of hardcore time, spanning less than 6 minutes total.
Our take: Iron Lung Records brings us the second record from this London hardcore projectâtheir first was on La Vida Es Un Musâand the label is a fitting home for Violinâs slightly left-of-center hardcore. Honestly, though, this record dials back the quirkier elements we heard on Violinâs previous record, leaning more toward straightforward hardcore. Violinâs particular take is burly and propulsive, reminding me of early 80s Boston bands like Negative FX and SS Decontrol. I love the term âviolence tempoâ that Iron Lung uses in their description, and itâs apt for the relentless propulsion on display here. We get a taste of the weird stuff, though, with some heavily effected guitar emphasizing the quirky lead riff in âSubservientâ as well as a chaotic section where noisy synth squalls swoop into the mix. If thereâs such a thing as thinking personâs dumb hardcore, this is it.












