
Spaced: This Is All We Ever Get 12"
Spaced live up to their name, blending hardcore with out-of-this-world sounds to create an explosive and hallucinogenic landscape. On "This Is All We Ever Get," the band pulls from a wide range of influences while still staying centered around individuality. The eight tracks on "This Is All We Ever Get" are enthralling and dynamic, with the longest run time hitting two minutes and thirty seconds.
Our take: I knew nothing about Buffalo, New Yorkâs Spaced before I dropped the needle on their Revelation debut, This Is All We Ever Get, but the combination of the bandâs surreal and psychedelic imagery and the Revelation Records stamp of approval moved me to check it out, and Iâm glad I did. Compared to much of the hardcore we cover at Sorry State, Spacedâs sound is very modern, though there are old school elements in the mix, like the Cro-Mags-esque galloping beats and the singerâs raspy vocals. Though Spacedâs singer sounds like a woman, they also sound a bit like Kurt from DRI on Dealing with It, super snotty and punk but with legible lyrics and a knack for melding them to simple, hooky melodies. The thing I like most about Spaced, though, is how eclectic their songs are. Though the songs are short (its eight tracks blaze by in just 16 minutes), theyâre full of parts that often contrast starkly with one another. They might shift from that Cro-Mags gallop to a Gag/Bib-esque pogo beat, then into a groovy part where you hear the influence of 90s bands like Quicksand. There are also huge mosh parts and singalongs, both of which Iâm sure make crowds of people many years younger than me lose their minds. Thereâs even a vaporwave-ish track (âAIATBâ) that breaks up the intensity nicely. While I like some parts more than others, you never know whatâs lurking around the next corner of a Spaced song, and the recordâs dynamism means that, even if you donât like, it would be hard to call it boring. I know many people who read Sorry Stateâs newsletter are dedicated to 80s hardcore styles and Spaced probably wonât be for them, but if you have broader tastes or youâre just looking to mix it up, This Is All We Ever Get is a thrilling listen.
Spaced live up to their name, blending hardcore with out-of-this-world sounds to create an explosive and hallucinogenic landscape. On "This Is All We Ever Get," the band pulls from a wide range of influences while still staying centered around individuality. The eight tracks on "This Is All We Ever Get" are enthralling and dynamic, with the longest run time hitting two minutes and thirty seconds.
Our take: I knew nothing about Buffalo, New Yorkâs Spaced before I dropped the needle on their Revelation debut, This Is All We Ever Get, but the combination of the bandâs surreal and psychedelic imagery and the Revelation Records stamp of approval moved me to check it out, and Iâm glad I did. Compared to much of the hardcore we cover at Sorry State, Spacedâs sound is very modern, though there are old school elements in the mix, like the Cro-Mags-esque galloping beats and the singerâs raspy vocals. Though Spacedâs singer sounds like a woman, they also sound a bit like Kurt from DRI on Dealing with It, super snotty and punk but with legible lyrics and a knack for melding them to simple, hooky melodies. The thing I like most about Spaced, though, is how eclectic their songs are. Though the songs are short (its eight tracks blaze by in just 16 minutes), theyâre full of parts that often contrast starkly with one another. They might shift from that Cro-Mags gallop to a Gag/Bib-esque pogo beat, then into a groovy part where you hear the influence of 90s bands like Quicksand. There are also huge mosh parts and singalongs, both of which Iâm sure make crowds of people many years younger than me lose their minds. Thereâs even a vaporwave-ish track (âAIATBâ) that breaks up the intensity nicely. While I like some parts more than others, you never know whatâs lurking around the next corner of a Spaced song, and the recordâs dynamism means that, even if you donât like, it would be hard to call it boring. I know many people who read Sorry Stateâs newsletter are dedicated to 80s hardcore styles and Spaced probably wonât be for them, but if you have broader tastes or youâre just looking to mix it up, This Is All We Ever Get is a thrilling listen.
Description
Spaced live up to their name, blending hardcore with out-of-this-world sounds to create an explosive and hallucinogenic landscape. On "This Is All We Ever Get," the band pulls from a wide range of influences while still staying centered around individuality. The eight tracks on "This Is All We Ever Get" are enthralling and dynamic, with the longest run time hitting two minutes and thirty seconds.
Our take: I knew nothing about Buffalo, New Yorkâs Spaced before I dropped the needle on their Revelation debut, This Is All We Ever Get, but the combination of the bandâs surreal and psychedelic imagery and the Revelation Records stamp of approval moved me to check it out, and Iâm glad I did. Compared to much of the hardcore we cover at Sorry State, Spacedâs sound is very modern, though there are old school elements in the mix, like the Cro-Mags-esque galloping beats and the singerâs raspy vocals. Though Spacedâs singer sounds like a woman, they also sound a bit like Kurt from DRI on Dealing with It, super snotty and punk but with legible lyrics and a knack for melding them to simple, hooky melodies. The thing I like most about Spaced, though, is how eclectic their songs are. Though the songs are short (its eight tracks blaze by in just 16 minutes), theyâre full of parts that often contrast starkly with one another. They might shift from that Cro-Mags gallop to a Gag/Bib-esque pogo beat, then into a groovy part where you hear the influence of 90s bands like Quicksand. There are also huge mosh parts and singalongs, both of which Iâm sure make crowds of people many years younger than me lose their minds. Thereâs even a vaporwave-ish track (âAIATBâ) that breaks up the intensity nicely. While I like some parts more than others, you never know whatâs lurking around the next corner of a Spaced song, and the recordâs dynamism means that, even if you donât like, it would be hard to call it boring. I know many people who read Sorry Stateâs newsletter are dedicated to 80s hardcore styles and Spaced probably wonât be for them, but if you have broader tastes or youâre just looking to mix it up, This Is All We Ever Get is a thrilling listen.












