Cryptopsy: None So Vile 12"
They made blasphemy sound fresh on their debut, but with their follow-up, CRYPTOPSY claimed the crown as the most vile band in all of death metal.
From the albumâs classic cover painting down to its guttural production, âNone So Vileâ established death metal as a truly vulgar art form upon its original 1996 release. The somber piano that opens âPhobophileâ only premeditates madness. With each slurp from his chalice, Lord Worm smears the line between whatâs sacred and profane until itâs dead and dripping. âHatred and violence are not our ways, but firm we areâ, he barks before âSlit Your Gutsâ splats beneath the brutal slap of bassist Eric Langlois.
Jon Levasseur shouldered more of the songwriting duties, though that didnât stop the bandâs lead guitarist continued to shred seamlessly between brutal chugs and blistering technical riffing. For his finishing move, he erupts into a white-hot solo on album closer âOrgiastic Disembowelmentâ.
Of course, CRYPTOPSY has always followed the textbook drumming of Flo Mounier. âGraves of the Fathersâ quickly cemented itself amongst circle pits, trampled underfoot by a relentless piling-on of blast beats and oddly-timed bursts of double bass.
CRYPTOPSY would win a JUNO after continuing to push the limits of extremity over the next three decades. Still, their second album is worshiped by gatekeepers and fresh heshers to the underground. âYou wonât find a more deserving album to be the first-ever Canadian entry into the Decibel Hall of Fameâ, the magazine wrote about âNone So Vileâ, which they named the tenth best death metal album of all time.
On âNone So Vileâ, CRYPTOPSY cemented their place forever amongst metalâs unholy crypt.
- Format Type: 12"
They made blasphemy sound fresh on their debut, but with their follow-up, CRYPTOPSY claimed the crown as the most vile band in all of death metal.
From the albumâs classic cover painting down to its guttural production, âNone So Vileâ established death metal as a truly vulgar art form upon its original 1996 release. The somber piano that opens âPhobophileâ only premeditates madness. With each slurp from his chalice, Lord Worm smears the line between whatâs sacred and profane until itâs dead and dripping. âHatred and violence are not our ways, but firm we areâ, he barks before âSlit Your Gutsâ splats beneath the brutal slap of bassist Eric Langlois.
Jon Levasseur shouldered more of the songwriting duties, though that didnât stop the bandâs lead guitarist continued to shred seamlessly between brutal chugs and blistering technical riffing. For his finishing move, he erupts into a white-hot solo on album closer âOrgiastic Disembowelmentâ.
Of course, CRYPTOPSY has always followed the textbook drumming of Flo Mounier. âGraves of the Fathersâ quickly cemented itself amongst circle pits, trampled underfoot by a relentless piling-on of blast beats and oddly-timed bursts of double bass.
CRYPTOPSY would win a JUNO after continuing to push the limits of extremity over the next three decades. Still, their second album is worshiped by gatekeepers and fresh heshers to the underground. âYou wonât find a more deserving album to be the first-ever Canadian entry into the Decibel Hall of Fameâ, the magazine wrote about âNone So Vileâ, which they named the tenth best death metal album of all time.
On âNone So Vileâ, CRYPTOPSY cemented their place forever amongst metalâs unholy crypt.
- Format Type: 12"
Original: $6,600.00
-70%$6,600.00
$1,980.00Description
They made blasphemy sound fresh on their debut, but with their follow-up, CRYPTOPSY claimed the crown as the most vile band in all of death metal.
From the albumâs classic cover painting down to its guttural production, âNone So Vileâ established death metal as a truly vulgar art form upon its original 1996 release. The somber piano that opens âPhobophileâ only premeditates madness. With each slurp from his chalice, Lord Worm smears the line between whatâs sacred and profane until itâs dead and dripping. âHatred and violence are not our ways, but firm we areâ, he barks before âSlit Your Gutsâ splats beneath the brutal slap of bassist Eric Langlois.
Jon Levasseur shouldered more of the songwriting duties, though that didnât stop the bandâs lead guitarist continued to shred seamlessly between brutal chugs and blistering technical riffing. For his finishing move, he erupts into a white-hot solo on album closer âOrgiastic Disembowelmentâ.
Of course, CRYPTOPSY has always followed the textbook drumming of Flo Mounier. âGraves of the Fathersâ quickly cemented itself amongst circle pits, trampled underfoot by a relentless piling-on of blast beats and oddly-timed bursts of double bass.
CRYPTOPSY would win a JUNO after continuing to push the limits of extremity over the next three decades. Still, their second album is worshiped by gatekeepers and fresh heshers to the underground. âYou wonât find a more deserving album to be the first-ever Canadian entry into the Decibel Hall of Fameâ, the magazine wrote about âNone So Vileâ, which they named the tenth best death metal album of all time.
On âNone So Vileâ, CRYPTOPSY cemented their place forever amongst metalâs unholy crypt.
- Format Type: 12"
