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Slow Worries: Careful Climb 12"
Acute altitude sickness may occur when we elevate too rapidly to 2500 meters. At extreme heights our bodies have a hard time distinguishing our oxygen and carbon dioxide levels which disorients and can even kill us.
Despite the title, Slow Worriesâ new album âCareful Climbâ deals with other causes of disorientation, manic highs and the lonely, angst-filled confusion that comes with trying to connect over space and time. When we are willingly rendering ourselves, in desperate late night movements, to nothing more than a data vault, a new low of some sorts. When bouncing back and trying to catch up with faster moving lovers. Trying to make sense of our value in an economy of secrets. Seeing that which we share for free, for sale elsewhere. Failing to live up to the standards we inadvertently helped to create.
But all the reading into it aside, âCareful Climbâ, soon to be released by Subroutine, Adagio830 and the first ever release on Breaking Records, is a joyful guitar-centered balancing act between 90âs licks and indie noise, full of fun despite it all and a fair amount of attitude because of it.
Slow Worries wear their influences on their sleeves. Think The Breeders, Ovlov, Slant 6 or even Sheer Mag. This is recommended listening for those who love their indierock with a good hook.
The new songs thematically center around time, space (mostly metaphysical) and movement. Live favorite âRunnerâ as a quite literal example. But lean in and other songs tell a similar story. Respiratory cycles are a thing in the ecology of Slow Worries songs too, catching your breath and hitting the brakes as necessary tools for survival, relatable now more than ever.
âI donât know if I should say this to you?â Maaike asks in the title track âCareful Climbâ. A plea to slow down, even turn around a seemingly unstoppable process all together. Like watching a friend burn out. Trying to figure out if the symptoms we see in others are psycho-somatic, or imagined on our part.
âDevilâ is an upbeat statement that starts with a Yeah Yeah Yeahâs-like confidence, showcasing how easily Slow Worries pull off sounding this cool. Throwing punches and side eyes at big companies co-opting queer fights and industry tactics in the indie-punk scene. Being swept up by the whirlwind, dancing in the pit. Knowing whatâs going on, enjoying it on their own terms and just maybe âselling our souls to make it homeâ.
The album has been four years in the making since their previous self-titled EP came out. In the meantime they have played & released records with bands like Apneu, SOON, Alienbaby Collective, Bombay & Oust. These are busy people!
Luckily Amsterdamâs favorite indie-shredders prioritize circling back to their music over time though. Sharing this new hook-filled and catchy-as-hell album with us. Recorded in short spurts at Studio Mono behind legendary DIY venue OCCII, âCareful Climbâ sounds like that favorite record you still know all the lyrics to after all these years.
Their sound is reminiscent of full basement shows with friends. Everyone dancing along and staying up late and ready to miss the last train together. Post-punk drums like a metronome set to the feedback laden guitar-riffs, resonating and competing for the space that they end up creating together. Maaikeâs vocals sound effortlessly perfect, with a controlled diction that sometimes (âSo Hiddenâ) recalls Placeboâs Brian Molko(!), which I have come to embrace as a great reference.
âBurnâ has all the nineties vocal bends and a classic ending, one of those songs that you know before you heard it. My favorite so far is âWhen We Go Outâ, with the refrain stop-and-go trick that just gets me every time, with the grungy âActive Recoveryâ as a close runner up.
The headlamp sported by its protagonist, guiding us to these new heights Slow Worries are taking us
They nailed it with this one. âGood things come to those who waitâ:)
Despite the title, Slow Worriesâ new album âCareful Climbâ deals with other causes of disorientation, manic highs and the lonely, angst-filled confusion that comes with trying to connect over space and time. When we are willingly rendering ourselves, in desperate late night movements, to nothing more than a data vault, a new low of some sorts. When bouncing back and trying to catch up with faster moving lovers. Trying to make sense of our value in an economy of secrets. Seeing that which we share for free, for sale elsewhere. Failing to live up to the standards we inadvertently helped to create.
But all the reading into it aside, âCareful Climbâ, soon to be released by Subroutine, Adagio830 and the first ever release on Breaking Records, is a joyful guitar-centered balancing act between 90âs licks and indie noise, full of fun despite it all and a fair amount of attitude because of it.
Slow Worries wear their influences on their sleeves. Think The Breeders, Ovlov, Slant 6 or even Sheer Mag. This is recommended listening for those who love their indierock with a good hook.
The new songs thematically center around time, space (mostly metaphysical) and movement. Live favorite âRunnerâ as a quite literal example. But lean in and other songs tell a similar story. Respiratory cycles are a thing in the ecology of Slow Worries songs too, catching your breath and hitting the brakes as necessary tools for survival, relatable now more than ever.
âI donât know if I should say this to you?â Maaike asks in the title track âCareful Climbâ. A plea to slow down, even turn around a seemingly unstoppable process all together. Like watching a friend burn out. Trying to figure out if the symptoms we see in others are psycho-somatic, or imagined on our part.
âDevilâ is an upbeat statement that starts with a Yeah Yeah Yeahâs-like confidence, showcasing how easily Slow Worries pull off sounding this cool. Throwing punches and side eyes at big companies co-opting queer fights and industry tactics in the indie-punk scene. Being swept up by the whirlwind, dancing in the pit. Knowing whatâs going on, enjoying it on their own terms and just maybe âselling our souls to make it homeâ.
The album has been four years in the making since their previous self-titled EP came out. In the meantime they have played & released records with bands like Apneu, SOON, Alienbaby Collective, Bombay & Oust. These are busy people!
Luckily Amsterdamâs favorite indie-shredders prioritize circling back to their music over time though. Sharing this new hook-filled and catchy-as-hell album with us. Recorded in short spurts at Studio Mono behind legendary DIY venue OCCII, âCareful Climbâ sounds like that favorite record you still know all the lyrics to after all these years.
Their sound is reminiscent of full basement shows with friends. Everyone dancing along and staying up late and ready to miss the last train together. Post-punk drums like a metronome set to the feedback laden guitar-riffs, resonating and competing for the space that they end up creating together. Maaikeâs vocals sound effortlessly perfect, with a controlled diction that sometimes (âSo Hiddenâ) recalls Placeboâs Brian Molko(!), which I have come to embrace as a great reference.
âBurnâ has all the nineties vocal bends and a classic ending, one of those songs that you know before you heard it. My favorite so far is âWhen We Go Outâ, with the refrain stop-and-go trick that just gets me every time, with the grungy âActive Recoveryâ as a close runner up.
The headlamp sported by its protagonist, guiding us to these new heights Slow Worries are taking us
They nailed it with this one. âGood things come to those who waitâ:)
Acute altitude sickness may occur when we elevate too rapidly to 2500 meters. At extreme heights our bodies have a hard time distinguishing our oxygen and carbon dioxide levels which disorients and can even kill us.
Despite the title, Slow Worriesâ new album âCareful Climbâ deals with other causes of disorientation, manic highs and the lonely, angst-filled confusion that comes with trying to connect over space and time. When we are willingly rendering ourselves, in desperate late night movements, to nothing more than a data vault, a new low of some sorts. When bouncing back and trying to catch up with faster moving lovers. Trying to make sense of our value in an economy of secrets. Seeing that which we share for free, for sale elsewhere. Failing to live up to the standards we inadvertently helped to create.
But all the reading into it aside, âCareful Climbâ, soon to be released by Subroutine, Adagio830 and the first ever release on Breaking Records, is a joyful guitar-centered balancing act between 90âs licks and indie noise, full of fun despite it all and a fair amount of attitude because of it.
Slow Worries wear their influences on their sleeves. Think The Breeders, Ovlov, Slant 6 or even Sheer Mag. This is recommended listening for those who love their indierock with a good hook.
The new songs thematically center around time, space (mostly metaphysical) and movement. Live favorite âRunnerâ as a quite literal example. But lean in and other songs tell a similar story. Respiratory cycles are a thing in the ecology of Slow Worries songs too, catching your breath and hitting the brakes as necessary tools for survival, relatable now more than ever.
âI donât know if I should say this to you?â Maaike asks in the title track âCareful Climbâ. A plea to slow down, even turn around a seemingly unstoppable process all together. Like watching a friend burn out. Trying to figure out if the symptoms we see in others are psycho-somatic, or imagined on our part.
âDevilâ is an upbeat statement that starts with a Yeah Yeah Yeahâs-like confidence, showcasing how easily Slow Worries pull off sounding this cool. Throwing punches and side eyes at big companies co-opting queer fights and industry tactics in the indie-punk scene. Being swept up by the whirlwind, dancing in the pit. Knowing whatâs going on, enjoying it on their own terms and just maybe âselling our souls to make it homeâ.
The album has been four years in the making since their previous self-titled EP came out. In the meantime they have played & released records with bands like Apneu, SOON, Alienbaby Collective, Bombay & Oust. These are busy people!
Luckily Amsterdamâs favorite indie-shredders prioritize circling back to their music over time though. Sharing this new hook-filled and catchy-as-hell album with us. Recorded in short spurts at Studio Mono behind legendary DIY venue OCCII, âCareful Climbâ sounds like that favorite record you still know all the lyrics to after all these years.
Their sound is reminiscent of full basement shows with friends. Everyone dancing along and staying up late and ready to miss the last train together. Post-punk drums like a metronome set to the feedback laden guitar-riffs, resonating and competing for the space that they end up creating together. Maaikeâs vocals sound effortlessly perfect, with a controlled diction that sometimes (âSo Hiddenâ) recalls Placeboâs Brian Molko(!), which I have come to embrace as a great reference.
âBurnâ has all the nineties vocal bends and a classic ending, one of those songs that you know before you heard it. My favorite so far is âWhen We Go Outâ, with the refrain stop-and-go trick that just gets me every time, with the grungy âActive Recoveryâ as a close runner up.
The headlamp sported by its protagonist, guiding us to these new heights Slow Worries are taking us
They nailed it with this one. âGood things come to those who waitâ:)
Despite the title, Slow Worriesâ new album âCareful Climbâ deals with other causes of disorientation, manic highs and the lonely, angst-filled confusion that comes with trying to connect over space and time. When we are willingly rendering ourselves, in desperate late night movements, to nothing more than a data vault, a new low of some sorts. When bouncing back and trying to catch up with faster moving lovers. Trying to make sense of our value in an economy of secrets. Seeing that which we share for free, for sale elsewhere. Failing to live up to the standards we inadvertently helped to create.
But all the reading into it aside, âCareful Climbâ, soon to be released by Subroutine, Adagio830 and the first ever release on Breaking Records, is a joyful guitar-centered balancing act between 90âs licks and indie noise, full of fun despite it all and a fair amount of attitude because of it.
Slow Worries wear their influences on their sleeves. Think The Breeders, Ovlov, Slant 6 or even Sheer Mag. This is recommended listening for those who love their indierock with a good hook.
The new songs thematically center around time, space (mostly metaphysical) and movement. Live favorite âRunnerâ as a quite literal example. But lean in and other songs tell a similar story. Respiratory cycles are a thing in the ecology of Slow Worries songs too, catching your breath and hitting the brakes as necessary tools for survival, relatable now more than ever.
âI donât know if I should say this to you?â Maaike asks in the title track âCareful Climbâ. A plea to slow down, even turn around a seemingly unstoppable process all together. Like watching a friend burn out. Trying to figure out if the symptoms we see in others are psycho-somatic, or imagined on our part.
âDevilâ is an upbeat statement that starts with a Yeah Yeah Yeahâs-like confidence, showcasing how easily Slow Worries pull off sounding this cool. Throwing punches and side eyes at big companies co-opting queer fights and industry tactics in the indie-punk scene. Being swept up by the whirlwind, dancing in the pit. Knowing whatâs going on, enjoying it on their own terms and just maybe âselling our souls to make it homeâ.
The album has been four years in the making since their previous self-titled EP came out. In the meantime they have played & released records with bands like Apneu, SOON, Alienbaby Collective, Bombay & Oust. These are busy people!
Luckily Amsterdamâs favorite indie-shredders prioritize circling back to their music over time though. Sharing this new hook-filled and catchy-as-hell album with us. Recorded in short spurts at Studio Mono behind legendary DIY venue OCCII, âCareful Climbâ sounds like that favorite record you still know all the lyrics to after all these years.
Their sound is reminiscent of full basement shows with friends. Everyone dancing along and staying up late and ready to miss the last train together. Post-punk drums like a metronome set to the feedback laden guitar-riffs, resonating and competing for the space that they end up creating together. Maaikeâs vocals sound effortlessly perfect, with a controlled diction that sometimes (âSo Hiddenâ) recalls Placeboâs Brian Molko(!), which I have come to embrace as a great reference.
âBurnâ has all the nineties vocal bends and a classic ending, one of those songs that you know before you heard it. My favorite so far is âWhen We Go Outâ, with the refrain stop-and-go trick that just gets me every time, with the grungy âActive Recoveryâ as a close runner up.
The headlamp sported by its protagonist, guiding us to these new heights Slow Worries are taking us
They nailed it with this one. âGood things come to those who waitâ:)
$750.00
Original: $2,500.00
-70%Slow Worries: Careful Climb 12"â
$2,500.00
$750.00Description
Acute altitude sickness may occur when we elevate too rapidly to 2500 meters. At extreme heights our bodies have a hard time distinguishing our oxygen and carbon dioxide levels which disorients and can even kill us.
Despite the title, Slow Worriesâ new album âCareful Climbâ deals with other causes of disorientation, manic highs and the lonely, angst-filled confusion that comes with trying to connect over space and time. When we are willingly rendering ourselves, in desperate late night movements, to nothing more than a data vault, a new low of some sorts. When bouncing back and trying to catch up with faster moving lovers. Trying to make sense of our value in an economy of secrets. Seeing that which we share for free, for sale elsewhere. Failing to live up to the standards we inadvertently helped to create.
But all the reading into it aside, âCareful Climbâ, soon to be released by Subroutine, Adagio830 and the first ever release on Breaking Records, is a joyful guitar-centered balancing act between 90âs licks and indie noise, full of fun despite it all and a fair amount of attitude because of it.
Slow Worries wear their influences on their sleeves. Think The Breeders, Ovlov, Slant 6 or even Sheer Mag. This is recommended listening for those who love their indierock with a good hook.
The new songs thematically center around time, space (mostly metaphysical) and movement. Live favorite âRunnerâ as a quite literal example. But lean in and other songs tell a similar story. Respiratory cycles are a thing in the ecology of Slow Worries songs too, catching your breath and hitting the brakes as necessary tools for survival, relatable now more than ever.
âI donât know if I should say this to you?â Maaike asks in the title track âCareful Climbâ. A plea to slow down, even turn around a seemingly unstoppable process all together. Like watching a friend burn out. Trying to figure out if the symptoms we see in others are psycho-somatic, or imagined on our part.
âDevilâ is an upbeat statement that starts with a Yeah Yeah Yeahâs-like confidence, showcasing how easily Slow Worries pull off sounding this cool. Throwing punches and side eyes at big companies co-opting queer fights and industry tactics in the indie-punk scene. Being swept up by the whirlwind, dancing in the pit. Knowing whatâs going on, enjoying it on their own terms and just maybe âselling our souls to make it homeâ.
The album has been four years in the making since their previous self-titled EP came out. In the meantime they have played & released records with bands like Apneu, SOON, Alienbaby Collective, Bombay & Oust. These are busy people!
Luckily Amsterdamâs favorite indie-shredders prioritize circling back to their music over time though. Sharing this new hook-filled and catchy-as-hell album with us. Recorded in short spurts at Studio Mono behind legendary DIY venue OCCII, âCareful Climbâ sounds like that favorite record you still know all the lyrics to after all these years.
Their sound is reminiscent of full basement shows with friends. Everyone dancing along and staying up late and ready to miss the last train together. Post-punk drums like a metronome set to the feedback laden guitar-riffs, resonating and competing for the space that they end up creating together. Maaikeâs vocals sound effortlessly perfect, with a controlled diction that sometimes (âSo Hiddenâ) recalls Placeboâs Brian Molko(!), which I have come to embrace as a great reference.
âBurnâ has all the nineties vocal bends and a classic ending, one of those songs that you know before you heard it. My favorite so far is âWhen We Go Outâ, with the refrain stop-and-go trick that just gets me every time, with the grungy âActive Recoveryâ as a close runner up.
The headlamp sported by its protagonist, guiding us to these new heights Slow Worries are taking us
They nailed it with this one. âGood things come to those who waitâ:)
Despite the title, Slow Worriesâ new album âCareful Climbâ deals with other causes of disorientation, manic highs and the lonely, angst-filled confusion that comes with trying to connect over space and time. When we are willingly rendering ourselves, in desperate late night movements, to nothing more than a data vault, a new low of some sorts. When bouncing back and trying to catch up with faster moving lovers. Trying to make sense of our value in an economy of secrets. Seeing that which we share for free, for sale elsewhere. Failing to live up to the standards we inadvertently helped to create.
But all the reading into it aside, âCareful Climbâ, soon to be released by Subroutine, Adagio830 and the first ever release on Breaking Records, is a joyful guitar-centered balancing act between 90âs licks and indie noise, full of fun despite it all and a fair amount of attitude because of it.
Slow Worries wear their influences on their sleeves. Think The Breeders, Ovlov, Slant 6 or even Sheer Mag. This is recommended listening for those who love their indierock with a good hook.
The new songs thematically center around time, space (mostly metaphysical) and movement. Live favorite âRunnerâ as a quite literal example. But lean in and other songs tell a similar story. Respiratory cycles are a thing in the ecology of Slow Worries songs too, catching your breath and hitting the brakes as necessary tools for survival, relatable now more than ever.
âI donât know if I should say this to you?â Maaike asks in the title track âCareful Climbâ. A plea to slow down, even turn around a seemingly unstoppable process all together. Like watching a friend burn out. Trying to figure out if the symptoms we see in others are psycho-somatic, or imagined on our part.
âDevilâ is an upbeat statement that starts with a Yeah Yeah Yeahâs-like confidence, showcasing how easily Slow Worries pull off sounding this cool. Throwing punches and side eyes at big companies co-opting queer fights and industry tactics in the indie-punk scene. Being swept up by the whirlwind, dancing in the pit. Knowing whatâs going on, enjoying it on their own terms and just maybe âselling our souls to make it homeâ.
The album has been four years in the making since their previous self-titled EP came out. In the meantime they have played & released records with bands like Apneu, SOON, Alienbaby Collective, Bombay & Oust. These are busy people!
Luckily Amsterdamâs favorite indie-shredders prioritize circling back to their music over time though. Sharing this new hook-filled and catchy-as-hell album with us. Recorded in short spurts at Studio Mono behind legendary DIY venue OCCII, âCareful Climbâ sounds like that favorite record you still know all the lyrics to after all these years.
Their sound is reminiscent of full basement shows with friends. Everyone dancing along and staying up late and ready to miss the last train together. Post-punk drums like a metronome set to the feedback laden guitar-riffs, resonating and competing for the space that they end up creating together. Maaikeâs vocals sound effortlessly perfect, with a controlled diction that sometimes (âSo Hiddenâ) recalls Placeboâs Brian Molko(!), which I have come to embrace as a great reference.
âBurnâ has all the nineties vocal bends and a classic ending, one of those songs that you know before you heard it. My favorite so far is âWhen We Go Outâ, with the refrain stop-and-go trick that just gets me every time, with the grungy âActive Recoveryâ as a close runner up.
The headlamp sported by its protagonist, guiding us to these new heights Slow Worries are taking us
They nailed it with this one. âGood things come to those who waitâ:)












